Editorial note: Opinions expressed here are solely those of the blogger.
“No one knows what it’s like
To be hated
To be fated
To telling only lies”
-“Behind Blue Eyes,” The Who
Before I even saw it, I could tell there was something special about “You Can See Everything,” the newly released Nathan Fielder documentary about disgraced Theranos founder Elizabeth Holmes. It’s been some time since I recalled such buzz about a non-franchise movie release, let alone a documentary. Plus, I noticed an interest level spanning multiple generations. Our daughter Sasha, 19, saw the film the other day and promptly raved about it in the family group chat, commenting on how the nearly three-hour running time flew by. After seeing articles about tickets becoming hard to come by, I quickly reserved seats for a Saturday matinee showing at our local multiplex, which I attended with my wife Wendy.
Overall, I believe “You Can See Everything” is excellent and worth the hype. I’m being very careful not to give away too much as the film features multiple surprise elements. Yet suffice it to say that its power comes not through any stylistic technique per see but in Fielder’s uniquely personal approach to his subject matter.
If you’re familiar with Nathan Fielder’s work, you will realize that he thrives on awkward discomfort, uniquely bending it to his will while being disarming and likeable. This was on prime display in his interactions with Holmes and her life partner Billy Evans throughout the documentary. Whereas, let’s just say Evans’ true colors come through early in the film, Holmes remains an absolute enigma throughout. It’s up to you as a viewer to make a call.
As for me, I view Elizabeth Holmes with a somewhat cynical viewpoint admittedly shaped by The Dropout podcast and excellent Hulu limited series starring Amanda Seyfried as Holmes. My take is that she is a charlatan, a con artist. Just one that happens to be well educated, posed and insanely smart.
I also view Elizabeth Holmes, unfortunately, as part of a larger societal narrative demonstrated especially in business and politics. The fake-it-until-you make it and viewing truth as a bendable, elastic concept has been romanticized as innovation and creativity. And our President has built his entire brand and political career on repeating lies knowing they’ll become truths to just enough people that can tilt a balance in your favor.
I strongly encourage you to go see You Can See Everything yourself and see how your perception will be shaped.

Filmmaker Nathan Fielder and Elizabth Holmes in “You Can See Everything.” Image credit: A24








